Prolit

a literary magazine about money, work, & class

Collar

My brother works in a factory
there is no factory

A crust of salt rims your boots
there is no crust of salt

Snow still falls in the parking lot
there is no snow in the parking lot

Concrete slips out from under you
there is no snow in the parking lot

There are no hands
there are no handshakes

And at the intersection
there are no intersections

The bend in my stepfather's back
I have no stepfather bending his back

There is no work
There is only work

And on your way home
there is no way home and the house

Not your childhood house is the house 
that you grew up in where

your childhood house used to be
There's no extension of the body

and the body extends and
There is no coincidence

It's snowing as I write this
I'm not writing this it snows

Somebody else has said this
nobody else I know has

The past is a foreign country
there are no other countries

My brother works in a factor
I was born an only child 

in a house that is a house
Not a childhood home

but concrete slipping out from under you
There is nobody to extend

The truck spreads blue salt on the street
there is no water table

The salt washes off the streets
there is no crust of salt 

And at the intersection
there are no handshakes

A crust along boots along their way
No water no table not a house but

I have no stepfather
there is only work

There is no coincidence
somebody else has said this

Extends the country
There is no home

where it’s snowing my brother
Works the intersection no


The body is bending no
salt the country no


The Green Flash

1.

I could read lines of your hair
The ceiling above you 

A painting in a cave,
rudimentary and full:

that we are sheltered, and we carry shelter with us

if only in a picture loose
from it's frame 



2.

The body extensive
The timing off

We are entering a new season
says my father on the phone,

in mourning, in anticipation

What is owed is infinite,
so never paid in full

Presents itself in a mirror, access denied—

or glass, riding underground:
to look through the face

and passing pillars for the light of the next
station full of strangers

Still, they scan for somebody familiar,
knowing they’ll be strangers



3.

Solid liquid state of being around

All is debt, all collapses
into debt

The bottomless pocket of being around

Plan, accrue, grieve the plan



4.

The curse is abundance ends
The abundance of afternoon

Playing spades—and shouting—
at each other

And just before it's over, a mirage of
Separation

Sometimes across the sky

And then, the sun descends


Robert David Carey

Robert David Carey is a writer, teacher, and labor organizer currently based in Madison, WI, though he has lived many places and worked many jobs. Check out his work forthcoming this winter in ctrl+v journal and TriQuarterly. He also edits an experimental journal called In the Fold, which you cannot read.